WRITING QUOTES IX

quotations about writing

But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action.

ARISTOTLE

Poetics

Tags: Aristotle


No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

Tags: Gail Carson Levine


There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.

EMILE ZOLA

letter to Cezanne

Tags: Emile Zola


Every writer in the country can write a beautiful sentence, or a hundred. What I am interested in is the ugly sentence that is also somehow beautiful.

DONALD BARTHELME

"On Paraguay"

Tags: Donald Barthelme


Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -- you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.

ROGER ZELAZNY

introduction, "Passion Play"

Tags: Roger Zelazny


A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.

CARLOS RUIZ ZAFON

The Shadow of the Wind

Tags: Carlos Ruiz Zafon


Writers in this country, particularly novelists, are likely to come to the medium through some back door. Nearly every writer I know was going to be something else, and then found himself writing by a kind of passionate default.

JOHN BARTH

The Paris Review, spring 1985

Tags: John Barth


Great novelists are philosopher-novelists who write in images instead of arguments.

ALBERT CAMUS

The Myth of Sisyphus


If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.

CRAIG JOHNSON

"A Conversation with Craig Johnson", The Cold Dish

Tags: Craig Johnson


Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.

KURT VONNEGUT

attributed, Quit Your Day Job!

Tags: Kurt Vonnegut


When I start to write, I don't have any plan at all. I just wait for the story to come. I don't choose what kind of story it is or what's going to happen. I just wait.

HARUKI MURAKAMI

Paris Review, summer 2004


WHEN YOU LEAVE YOUR TYPEWRITER YOU LEAVE YOUR MACHINE GUN AND THE RATS COME POURING THROUGH.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

Tags: Charles Bukowski


Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.

TOBSHA LEARNER

interview, Booktopia, February 22, 2011

Tags: Tobsha Learner


I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don't feel that way about it. Sometimes it's difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think ... that's your signpost and your guide. You'll never get there, but without it you won't get anywhere.

CORMAC MCCARTHY

interview with Oprah Winfrey, June 1, 2008


The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.

JOHN GREEN

"July 19: A Day in the Life of a Writer (Who Has No Friends)", YouTube


All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.

TRUMAN CAPOTE

Truman Capote: Conversations

Tags: Truman Capote


I wish my prose to be transparent--I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.

V. S. NAIPAUL

The Paris Review, fall 1998

Tags: V. S. Naipaul


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel


After all, the original way of writing books may turn out to be the best. The first author, it is plain, could not have taken anything from books, since there were no books for him to copy from; he looked at things for himself.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère