quotations about writing
Once writing has become your major vice and greatest pleasure only death can stop it.
ERNEST HEMINGWAY
The Paris Review, spring 1958
The first draft is the child's draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.
ANNE LAMOTT
Bird by Bird
There's no such thing as perfect writing, just like there's no such thing as perfect despair.
HURAKI MURAKAMI
Hear the Wind Sing
A true piece of writing is a dangerous thing. It can change your life.
TOBIAS WOLFF
Old School
Fiction is the only way to redeem the formlessness of life.
MARTIN AMIS
Essays
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
HURAKI MURAKAMI
Paris Review, summer 2004
One of the things that writers very quickly learn to avoid is talking their work away. Talking about your work hardens it prematurely, and weakens the charge. You need to keep a fluid sense of the work in hand--it has to be able to change almost without your being aware that it's changing.
TOBIAS WOLFF
The Paris Review, fall 2004
The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn. Perhaps the comparison is closer to the Chinese cook who leaves hardly any part of a duck unserved.
GRAHAM GREENE
from journal kept while writing A Burnt-Out Case
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
MORDECAI RICHLER
interview, Brick 81, 1989
Cautious men have many adverbs, "usually," "nearly," "almost ": safe men begin, " it may be advanced " : you never know precisely what their premises are, nor what their conclusion is; they go tremulously like a timid rider; they turn hither and thither; they do not go straight across a subject, like a masterly mind.
WALTER BAGEHOT
Literary Studies
Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.
MAYA ANGELOU
Facebook post, October 13, 2012
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its power.
JOAN DIDION
Joan Didion: Essays & Conversations
I am not someone who is very good at writing a certain amounts every day. I know that's what one is told one should do, but what I tend to do is kind of sequester myself away while I am in London for a few weeks at a time and become very antisocial and write very, very intensively over a relatively short time. I am much more of a burst writer than a steady-state writer.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
Irish English is a very different beast from English English or American English. Very different. The way in which Irish writers are only too happy to infuse their language with ambiguity is very different. An English writer will try to be clear. Orwell said that good prose should be like a pane of glass. The Irish writer would say: 'No no, it's a lens, it distorts everything.'
JOHN BANVILLE
"Oblique dreamer", The Guardian, September 17, 2000
It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.
MARY OLIVER
The Christian Science Monitor, December 9, 1992
Let us not, then, lament over the decay and oblivion into which ancient writers descend; they do but submit to the great law of nature, which declares that all sublunary shapes of matter shall be limited in their duration, but which decrees, also, that their elements and vegetable life, passes away, but the vital principle is transmitted to posterity, and the species continue to flourish. Thus, also, do authors beget authors, and having produced a numerous progeny, in a good old age they sleep with their fathers, that is to say, with the authors who preceded them--and from whom they had stolen.
WASHINGTON IRVING
"The Art of Book-Making", The Sketch Book of Geoffrey Crayon
So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.
TYLER BARTON
"Millennial Writers on Writing", Huffington Post, February 16, 2016
Things may not be immediately discernible in what a man writes, and in this sometimes he is fortunate; but eventually they are quite clear and by these and the degree of alchemy that he possesses he will endure or be forgotten.
ERNEST HEMINGWAY
Nobel Prize speech, December 10, 1954
What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.
THOMAS WOLFE
Selections from the Works of Thomas Wolfe